The Parisian Sphinx c. 1880

Alfred Stevens’s "The Parisian Sphinx" is a mysterious portrait painted with oils on canvas. The visible brushwork is key here, particularly the wispy strokes that define the sitter’s hair and the fur trim of her coat. The materiality of the painting is interesting. It's easy to forget that oil paint was once a cutting-edge technology, allowing for an unprecedented degree of realism and nuance. Stevens uses this to great effect, capturing the subtle textures of skin, fabric, and fur. But he also leaves the surface quite raw, reminding us of the labor involved in creating the image. The woman’s clothing speaks volumes about the social context. Fur was a luxury material, and her stylish hat and gloves suggest she belongs to the upper echelons of Parisian society. However, her enigmatic expression hints at the complexities and contradictions that lie beneath the surface of wealth and privilege. This painting isn't just about capturing a likeness, it's about the materials, the making, and the society that produced it. By considering these elements, we can gain a deeper appreciation for the full meaning of the artwork.