Milk vessel by Borana or Guji

Milk vessel c. 20th century

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fibre-art, sculpture

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fibre-art

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vessel

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geometric

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sculpture

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ceramic

Dimensions: 14 1/2 x 7 7/16 in. (36.83 x 18.89 cm)

Copyright: Public Domain

Curator: Stepping closer, you'll notice an extraordinary piece titled "Milk Vessel" from the Borana or Guji people, estimated to be from around the 20th century. The Minneapolis Institute of Art holds this particular specimen. Editor: There's a real feeling of stillness emanating from it, wouldn’t you say? Despite what looks like layers of geometric, tightly woven patterns. It sort of looms—imposing but not threatening. Curator: Precisely. What we're seeing is actually a stunning display of assemblage incorporating fiber art and what seems to be ceramic and maybe a hint of silver in the details. The interwoven construction speaks to indigenous artistry with its repetitive banding and elegant proportions. I feel like its presence asks for our patient analysis to uncover its full expression. Editor: Those horizontal lines dividing the bulbous lower half of the piece really focus your eye and seem to want you to see how that round form becomes almost rigidly geometric as it rises, which may be intentional and echo the cultural norms that form an invisible but solid foundation. Curator: Definitely intentional. When considered formally, these parallel lines are structural markers but more than just decorative accents. They likely have encoded meanings about communal bonds and traditions related to milk—a life-giving source for these nomadic cultures. I suspect we’re only just brushing the surface of their purpose. Editor: What's interesting is how that narrow neck flows upward toward a comparatively expansive lip...It’s almost as if, at the culmination of slow and determined discipline, there’s a feeling of expansive ease. Does it call to mind ancient knowledge, to anyone else? Curator: Oh, it whispers a legacy. We might not unlock every cultural secret behind its construction, but spending moments in contemplation does make our understanding a little richer of material culture. Editor: I have to agree—standing here reflecting makes me appreciate that every line contains a wealth of stories about heritage and creation, even if only a few trickle to the surface!

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