Anna gebruikt de kerkelijke tegoeden voor het oprichten van armenhuizen en pastorieën 1704

This medal, crafted by John Croker, portrays Queen Anne and commemorates her use of ecclesiastical funds to establish almshouses and parsonages. The laurel wreath adorning Anne’s profile is not merely decorative; it echoes the wreaths of Roman emperors, signifying victory and authority. On the reverse, we see Anne enthroned, bestowing funds. This scene evokes images of monarchs as benevolent providers, a concept traceable to ancient Egypt, where pharaohs were depicted distributing resources. Consider the recurrent motif of rulers dispensing justice or alms throughout history, from Byzantine mosaics to Renaissance frescoes. This act isn't just about charity; it’s a ritualistic assertion of power and social order. The emotional power of this image lies in its appeal to the viewer's subconscious desire for order and benevolence. The act of giving engages deep-seated needs for security and justice. The symbols on this medal have resurfaced and evolved throughout time, reflecting our complex, cyclical relationship with power, charity, and authority.