Bacchanal before a Herm (2) by Leon Kossoff

Bacchanal before a Herm (2) 1998

0:00
0:00

Dimensions: image: 299 x 420 mm

Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This is "Bacchanal before a Herm (2)" by Leon Kossoff. It's part of the Tate Collections and depicts a scene of revelry. Editor: Wow, it's like a barely-there dream! A flurry of bodies and lines, creating a sense of frantic energy. Is this an etching? Curator: Yes, it’s an etching, which gives it that delicate, almost skeletal feel. Kossoff, although better known as a painter, returned often to printmaking. It’s interesting to see him engage with classical themes. Editor: Classical, but gritty. I get the sense that Kossoff is less interested in the ideal and more in the raw, uninhibited energy of the moment. It's not pretty, but intensely alive. Curator: Absolutely, Kossoff's figures often have a raw vulnerability, even when they're supposed to be celebrating. The herm, a classical sculpture, suggests a clash between order and chaos. Editor: It really does make you feel like you’re eavesdropping on something wild, something dangerous, doesn’t it? It makes you want to join in, or run away, hard to say which!

Show more

Comments

tate's Profile Picture
tate 2 days ago

http://www.tate.org.uk/art/artworks/kossoff-bacchanal-before-a-herm-2-p11688

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 2 days ago

This print is one of many etchings executed by Leon Kossoff in response to, and literally in the presence of, oil paintings by old masters; in this case Bacchanal Before a Herm, 1632-3 (National Gallery, London) by Nicolas Poussin (1594-1665). Tate owns two prints by Kossoff after this Poussin painting (Tate P11687-8). The artist’s ability to explore a number of separate responses while making drawings and prints from a single subject is illustrated in these etchings. Tate owns an artist’s proof.