Study for The Soul Attains 1870

This is a pencil study by Edward Burne-Jones, a preparatory sketch for a larger painting, likely produced in England during the late 19th century. As with much Pre-Raphaelite art, we see here a renewed interest in classical and medieval themes, rendered with a distinctive emphasis on idealized beauty and symbolic meaning. The figures, with their graceful lines and contemplative expressions, evoke a sense of spiritual yearning. The composition suggests a narrative, inviting viewers to ponder the relationship between the two figures, perhaps representing the soul's journey toward enlightenment or transcendence. In Burne-Jones's time, the art world was grappling with questions of morality and social purpose. His work can be understood as a rejection of industrialism and a longing for a more harmonious and aesthetically refined world. To fully appreciate Burne-Jones's art, one might consult exhibition catalogues, letters, and contemporary reviews. Considering such resources allows us to understand how his art engaged with the intellectual and cultural currents of his era.