Gezicht op de Promenade des Anglais in Nice met links de wandelpier by GJ

Gezicht op de Promenade des Anglais in Nice met links de wandelpier c. 1860 - 1890

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Dimensions height 207 mm, width 268 mm

Editor: This photograph, "Gezicht op de Promenade des Anglais in Nice met links de wandelpier," created sometime between 1860 and 1890, presents such a fascinating vista. The pier and dome structure really dominate the view. It has an almost postcard-like quality, capturing a bustling moment in time. What are your thoughts on this particular depiction of the Promenade des Anglais? Curator: This image is really interesting when considered within the context of the 19th century's burgeoning tourism industry and the democratization of photography. Nice became a popular destination for the European elite, particularly the British, hence the name 'Promenade des Anglais'. Photography played a crucial role in promoting these destinations and shaping perceptions. The image captures not just a place, but a lifestyle. Do you think this photo was primarily made as a documentary piece, or something else? Editor: Perhaps it was for promotion. The composition does feel carefully arranged, highlighting the grandeur of the architecture and the leisurely activities. It almost romanticizes the scene. Curator: Exactly! And that’s where the power of these images lies. They're not merely objective records, but active agents in constructing a desirable image of Nice. Consider the perspective – elevated to provide a comprehensive view, drawing the eye towards the horizon. It’s carefully calculated to present a vision of modernity, leisure, and societal progress. The rise of places like Nice, captured through photography, went hand in hand with developing technologies, consumer culture and imperialism. Editor: I hadn't really thought about the connection to consumerism. The photo now feels much more staged, deliberately so, than initially viewed. Curator: It's these intended details that speak volumes about the social and cultural landscape of the time, even using composition itself as a tool. Photography had, and continues to have, that power. Editor: That’s really changed how I see the photo. Thanks for opening up the wider social contexts.

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