Interieur van het Crystal Palace tijdens de Great Exhibition of the Works of Industry of All Nations van 1851 1851
print, daguerreotype, photography
16_19th-century
daguerreotype
photography
coloured pencil
romanticism
cityscape
realism
This photograph, attributed to C.M. Ferrier and F. von Martens, captures the interior of the Crystal Palace during the Great Exhibition of 1851. The sepia tones evoke a sense of historical distance, yet the photograph’s meticulous detail invites close inspection of its architectural and spatial dynamics. The soaring glass and iron structure dominates the composition, creating a cathedral-like space filled with light. Note how the linear grid of the framework contrasts with the organic form of the mature trees, challenging traditional notions of enclosure and the boundary between nature and industry. The arrangement of sculptures and fountains creates a sense of ordered grandeur, reflecting the Victorian era's obsession with classification and display. Through the lens of structuralism, we can see the photograph functioning as a signifier of modernity, capturing the complex interplay of technology, nature, and society. The photo destabilizes established categories, inviting ongoing interpretations.
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