Flagellation c. 1650

François Du Quesnoy created this bronze sculpture, *Flagellation,* in the early 17th century, a period marked by religious and political turbulence across Europe. This artwork captures a biblical scene, yet it transcends mere religious illustration. The suffering body of Christ becomes a focal point, inviting contemplation on themes of power, sacrifice, and human cruelty. Consider how Du Quesnoy, positioned within a society deeply influenced by the Church, navigates the complex terrain of religious representation. The figures flanking Christ, seemingly caught in moments of reflection, introduce a psychological depth to the scene. They are not simply tormentors but individuals, perhaps grappling with their roles in this drama. This humanization adds layers of complexity to the narrative, prompting us to consider the intersection of faith, morality, and individual agency. Through its emotional intensity, this work continues to provoke questions about humanity's capacity for both violence and empathy.