Griswold and Gunnison Confederate Percussion Revolver, serial no. 2651 by Griswold and Gunnison

Griswold and Gunnison Confederate Percussion Revolver, serial no. 2651 1862 - 1864

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metal, wood

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metal

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united-states

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wood

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armor

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statue

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arm

Dimensions: L. 13 1/8 in. (33.3 cm); L. of barrel 7 1/2 in. (19.1 cm); Cal. .36 in. (9 mm)

Copyright: Public Domain

Curator: Here we have a Griswold and Gunnison Confederate Percussion Revolver, serial no. 2651, dating from 1862 to 1864. Editor: It looks…elegant, in a deadly way. The contrast between the blued steel and brass is striking. It looks far too genteel to have been used for violence. Curator: The contrast is precisely where some of the tension lies. The materials themselves speak to the resourcefulness of the Confederacy. Brass, often sourced from repurposed materials, stands in contrast to the more traditionally manufactured steel components. Editor: Brass immediately symbolizes Southern wealth and decorum – but what's compelling here is how its visual weight shifts our perception of conflict. I can’t detach this sleek piece of technology from the idea of brothers turning on one another, so the material reads as a very poignant and complicated motif for loyalty or lost potential. Curator: The serial number itself presents a compelling facet. Number 2651 implies a relatively significant production run, highlighting the industrial ambitions—however nascent—of the Confederacy. Furthermore, note the craftsmanship in the wooden grip; its contours are carefully shaped for the hand. Editor: And the grip also evokes power – even today, guns act as vessels for masculinity in contemporary society, specifically, violence. This particular form is also really interesting – it seems almost ornamental; something precious and almost talismanic given the quality and texture of the materials. Curator: An interesting viewpoint. As an object, it encapsulates so many structural dualities that mirror the historical and cultural complexities surrounding its creation. It also exemplifies the ways objects become enshrined as symbols and relics in culture. Editor: Exactly. Ultimately, this is less about its pure function and more about how it reflects on our continuing historical and psychological engagement with this deeply resonant imagery. Curator: Indeed. It serves as a potent reminder of the way design and manufacturing get deployed in ideological projects. Editor: The dialogue between violence, wealth, decorum, technology and cultural identity creates a kind of narrative time capsule. Food for thought.

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