Christ Nailed to the Cross (Schr. 2417x) by Anonymous

Christ Nailed to the Cross (Schr. 2417x) 15th century

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drawing, print, woodcut, engraving

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drawing

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medieval

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narrative-art

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print

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old engraving style

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figuration

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woodcut

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men

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line

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pen work

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crucifixion

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history-painting

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engraving

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christ

Dimensions: sheet: 2 15/16 x 2 3/16 in. (7.5 x 5.6 cm)

Copyright: Public Domain

Editor: This woodcut print from the 15th century, titled "Christ Nailed to the Cross," is held at the Metropolitan Museum of Art. I’m struck by how graphic it is; the scene feels so stark despite the somewhat decorative border. What stands out to you in this piece? Curator: It's interesting you use the word "graphic." The directness of the image is certainly intentional, meant to convey a powerful message to a largely illiterate population. This piece comes from a time when religious images served as potent tools for shaping beliefs and reinforcing social hierarchies. Notice the individuals nailing Christ, their faces almost expressionless as they execute what they likely perceive to be their duty. Who benefits from this display of power and suffering? Editor: So, it's not just about the religious narrative, but also the power dynamics at play? It makes me think about who is given agency and who is being silenced. Curator: Exactly. And consider how the scene is framed. We, as viewers, are positioned to witness this act of violence. In doing so, what role are we implicitly asked to play in the maintenance of this power structure? Are we mourners, complicit bystanders, or potential agents of change? Editor: That’s a heavy question. I hadn’t considered the viewer's role so explicitly. It definitely changes my understanding from simply observing the scene to actively questioning its implications. Curator: It encourages us to look at art not as passive representations, but as active participants in ongoing dialogues about faith, power, and justice. Early prints like this helped spread not just devotion, but also very specific social messaging about how obedience works. Editor: I never thought about prints as political texts! This changes how I’ll look at similar artworks in the future. Thanks for the insightful perspective! Curator: My pleasure. Analyzing these works in their historical context helps reveal the complex web of influences they had on society and continue to exert today.

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