Putti spelen op een wip 1673 - 1709

Editor: So this etching is called "Putti spelen op een wip," which I think translates to "Putti Playing on a Seesaw." It's from between 1673 and 1709, so Baroque period, and it's at the Rijksmuseum. There's something so playful and energetic about it. I'm curious, what captures your attention most in this piece? Curator: Ah, yes, putti. Mischievous cherubs let loose! Immediately, the organized chaos sings to me. It’s a window into a playful imagination, isn’t it? That teeter-totter energy feels familiar, like a universal symbol for childhood joy. Even the dog wants in on the fun. The lines are so fine, it’s like catching a dream in a net – Baroque dreams of excess, of course. What do you make of the architectural setting – brick wall, some kind of classical arch or orb...? Editor: That contrast struck me, too - the cherubic innocence with those almost austere architectural details. They seem worlds apart. Could it represent, I don't know, divine frolic within more formal structures? Curator: A compelling thought! Maybe the structure is what contains all this divine frolic; it's a fun sort of tension to imagine. Those putti are little gods and goddesses playing; is there a better game than defying structures? Think of how the wealthy during the baroque liked to be portayed in frivolous play! The putti, in all their heavenly bodies, don't have rules and structures that mortals live by. I am in love. What is your favourite aspect of this etching? Editor: It’s interesting to think of that divine versus human rules; thanks. It’s making me think about how even today we project certain expectations onto kids – innocence, play – while simultaneously creating really structured environments for them, too, so a lot of it rings true. But to answer the question, I enjoy its liveliness in such a minimal color palette. Curator: Yes, these etchings provide an intimate view, with its simplicity making it universally appealing. Makes me want to build a teeter totter and join the game. Thanks for the questions. Editor: Me too! I didn’t think about Baroque art being this accessible or simple to read into until today!