The Virgin in the clouds holding a rosary in her left hand and embracing the infant Christ, who also holds a rosary, angels surrounding them 1625 - 1660
drawing, print, engraving
portrait
drawing
baroque
figuration
madonna
child
engraving
angel
Dimensions Sheet (Trimmed): 8 11/16 × 5 5/16 in. (22 × 13.5 cm)
Curator: Immediately striking is its ethereal quality; the figures almost seem to float right off the paper. Editor: This engraving, dating from 1625 to 1660, is attributed to Lorenzo Loli, and is titled "The Virgin in the clouds holding a rosary in her left hand and embracing the infant Christ, who also holds a rosary, angels surrounding them." Curator: Note the rosaries clutched by both the Virgin and Child. These details were deliberately crafted for consumption. Were they intended as instructional guides on piety, visual aids encouraging specific ritual practices? Editor: Absolutely, especially considering the socio-political climate. The rise of the rosary as a devotional object coincided with Counter-Reformation efforts, offering a potent symbol of Catholic identity. Its dissemination via prints like these made it accessible, reinforcing specific religious narratives. Curator: You can see it within the rendering, too. The delicate hatching employed must have taken countless hours and many iterations to refine the image, allowing for mass distribution via the printing press. Consider the sheer number of impressions pulled from that plate! Editor: Exactly, these reproductive prints also played a pivotal role in democratizing imagery and spreading artistic ideas, further shaping how Baroque aesthetics were received and adapted across Europe. Think of the patronage system – while Loli may not have been commissioned in the modern sense, this piece was likely produced within an established workshop structure, reliant on consistent sales within a network deeply embedded in religious institutions. Curator: It is almost a devotional object produced through industry, it seems to remove any evidence of a specific artist so that more can relate to it as an ideal of The Madonna and Christ. Editor: And that dissemination contributes to a much broader understanding of the Church's influence through art. Thank you for highlighting this print's important interplay between the art world, industry, and religious devotion!
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