Portret van François de Harlay de Champvallon 1691

This print of François de Harlay de Champvallon was made by Jacob Gole, likely in the late 17th or early 18th century. Its fine lines were achieved through engraving, a process involving meticulous cuts into a metal plate, which is then inked and pressed onto paper. Engraving was a skilled trade, situated between craft and industrial production. The resulting prints could be widely distributed, thus influencing public opinion. In this instance, the image serves as political commentary. Rather than presenting a straightforward portrait, it offers a satirical take on the Archbishop of Paris. Notice how the qualities inherent to the engraving process shape the image. The precision of the lines allows for a detailed, almost grotesque, portrayal of the Archbishop's features. The contrast between light and shadow, achieved through varying the density of lines, adds depth and drama. This challenges the traditional hierarchy of art, where prints were often seen as secondary to painting. Here, the medium becomes central to the message.