Theseus verkrijgt het zwaard van zijn vader, penning waarmee H.F. Brandt de 'Grand Prix de Gravure en Medaille' won by Henri François Brandt

Theseus verkrijgt het zwaard van zijn vader, penning waarmee H.F. Brandt de 'Grand Prix de Gravure en Medaille' won 1813

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metal, relief, sculpture

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portrait

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neoclacissism

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metal

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sculpture

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relief

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classical-realism

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figuration

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classicism

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ancient-mediterranean

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sculpture

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history-painting

Dimensions diameter 8.2 cm, weight 100.89 gr

Editor: So, here we have "Theseus verkrijgt het zwaard van zijn vader", or "Theseus obtains his father's sword," a metal Grand Prix de Gravure en Medaille by H.F. Brandt from 1813. The relief shows a male figure with a heroic air retrieving a sword from under a rock. What strikes me is how Brandt uses classicism to reinforce the ideas of heroism and lineage in this depiction. What do you see in this piece? Curator: It's interesting how Brandt's piece adopts neoclassical aesthetics to visualize notions of power and authority in post-revolutionary Europe. Do you think that depicting Theseus, a mythological hero who secured his lineage by claiming his father's sword, had any particular resonance during the Napoleonic era? Editor: Definitely! I'm thinking the story presents Theseus as a legitimate leader because of his lineage. The piece becomes a statement on rightful rule in times of upheaval. How do you feel the style affects that message? Curator: Classicism, with its associations to ancient Greece and Rome, was frequently deployed to evoke notions of order, reason, and, of course, legitimacy. Brandt, by utilizing this style, perhaps sought to give a historical weight and grandeur to contemporary political concerns surrounding leadership. Note how the crisp lines, balanced composition, and idealized figure all reinforce a sense of stability. In this context, a "restored" or "rightful" ruler may connect themselves with a mythical origin, as told in art, reinforcing power structures that benefit themselves and exclude others. What do you make of the object being a 'prize' for engraving? Editor: Ah, good point! So, not just the image but also the award connects this act of mythological ‘proving’ to legitimizing Brandt himself as a master engraver. It really places artistic merit within those established hierarchies. Thanks! That helps me to think about its social impact a little more. Curator: Precisely. By winning the prize, he is similarly writing himself into an artistic and socio-political narrative. It's fascinating to consider how awards can function in this way.

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