Gown c. 1940

Douglas Campbell’s watercolour, 'Gown,' captures the intricate details of a dress with subtle washes and delicate lines. Imagine Campbell, brush in hand, carefully building up the form, the colour shifting with each transparent layer. It's easy to see how the process of painting becomes a way of understanding the structure and texture of the fabric. I wonder if, as Campbell worked, he was thinking about how light plays on its surface, or the way it drapes and folds around a body? The cool blues and grays evoke a sense of elegance, the gentle strokes hinting at movement and depth. Campbell's interest reminds me of other artists who have used clothing as a central motif, reflecting cultural values and personal narratives. We see each other through what we make, whether gowns or paintings. Isn’t that interesting?