Figure Studies [verso] c. 1815

This sheet of studies was made by Thomas Sully, sometime in the 19th century, using graphite on paper. Here, we see Sully sketching figures, capturing gestures and poses. The human form, a vessel of emotion and narrative, has been a focal point for artists across millennia. One is struck by the faceless figures, lacking in detail but imbued with a sense of potential. The facelessness connects with the ancient Greek concept of the mask, used in theater to amplify emotions and represent archetypes. Consider how these abstracted forms, devoid of specific identity, tap into a collective memory. Like the masks of ancient drama, these sketches invite us to project our own emotions and narratives onto them. It is a powerful way to elicit empathy, engaging viewers on a subconscious level. The non-linear progression of this symbol has resurfaced and evolved, taking on new meanings in different historical contexts.