Hoge ronde waterput met ijzeren ornamentale overhuiving en twee pompzwengels by Johannes of Lucas van Doetechum

Hoge ronde waterput met ijzeren ornamentale overhuiving en twee pompzwengels c. 1574

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print, engraving

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print

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old engraving style

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landscape

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cityscape

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northern-renaissance

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engraving

Dimensions: height 140 mm, width 200 mm

Copyright: Rijks Museum: Open Domain

Curator: This detailed engraving from around 1574 by Johannes or Lucas van Doetechum, presents a striking scene. The work is titled "High round water well with iron ornamental shelter and two pump cranks." The scene is quite centered around it, located in a Renaissance cityscape. Editor: Immediately, I notice the overwhelming presence of the well itself. It looms large in the foreground, almost as if guarding the entrance to the city street that recedes so perfectly into the distance. The artist draws the eye directly down that diminishing corridor. Curator: It is interesting how the artist utilizes the public water source to draw a social-economic parallel, as public amenities in Northern Renaissance cities like this became central nodes of social life. Water access often intersected with class, gender, and communal identity. Who had access to this well, and when? Those would be great details to analyze. Editor: Precisely, but the ornate ironwork above and around it—it’s almost like a miniature architectural statement crowning the well, creating an impression of civic pride and artistry. It evokes something significant, doesn't it? I think it serves to highlight the preciousness of that resource as well as human ingenuity. Curator: Looking closer at this elevated importance, I agree! It represents a moment when even the most ordinary, quotidian things – a source of clean drinking water - became opportunities for displays of communal wealth and perhaps competitive power. Editor: Yes, definitely! And if you shift your view down toward the decorative spouts crafted like lion’s heads… they symbolize not just power but perhaps even the life-giving forces of nature, something fundamentally sacred offered to everyone in this highly structured civic space. What a great message conveyed by what otherwise seems like mundane city life from the past. Curator: Your perspective opens my eyes. This image reveals much more than just city infrastructure. This intersection between gender, identity, and access within this society is definitely a key aspect that the print shares with its viewers, centuries later. Editor: Absolutely! I believe uncovering symbolism is integral for comprehending art and also for establishing conversations with different fields like gender studies and political sciences.

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