drawing, print, engraving
drawing
baroque
animal
old engraving style
landscape
figuration
horse
engraving
Dimensions height 96 mm, width 139 mm, height 97 mm, width 137 mm
Curator: Here we have Antonio Tempesta’s engraving “Paarden,” or “Horses,” created before 1650. It's currently held at the Rijksmuseum. What strikes you first about it? Editor: Honestly? That one horse looks like it could pull a house. Seriously stout. The other’s more… refined. I immediately think about status; breeding, draft animal. I guess opposites. Curator: Yes, and consider the power horses held as symbols. Think back: military might, royalty, freedom of movement. Each animal embodied a kind of aspirational power that seeped into cultural imagination. Note how distinct each presentation is. It tells us what each was *meant* to evoke, how the image connects to a cultural *ideal.* Editor: I dig that. These aren't just "horse drawings". The artist’s really playing into preconceived notions about strength, or, like you said, freedom, you know? But Tempesta must have been familiar with equine anatomy… Curator: Absolutely! See how meticulously the muscles are delineated, the precision in rendering their coats? It isn't just an artistic rendering but nearly an anatomical study of sorts, connecting, perhaps to Classical ideals revived during the Baroque period. Editor: Huh. Now, that brings me back to the little towns, almost toy towns, in the distance behind each horse…what do you think that's all about? Seems like another symbol? Curator: Potentially; the small, distant city connects these horses to something “greater,” something human society *built*. The contrast between the built, domesticated environment and untamed animal power could be deliberate. See them as interdependent forces, maybe. One shapes, the other serves, or vice versa… Editor: OK, I like that take a lot. It definitely complicates the straightforward read of powerful horse, fancy horse, et cetera. Something deeper is being communicated in how they’re framed… almost an interaction with society that we might have overlooked at first glance. Curator: Exactly, Tempesta is showing us an important relationship, between beast and the landscape it serves or symbolizes… Editor: Makes you think about the lasting impression animals leave on the cultural psyche, doesn’t it? It makes you realize their images can say way more than you first suppose.
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