Twee tulpen met twee vliegen by Jacob Marrel

Twee tulpen met twee vliegen 1637

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painting, watercolor

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dutch-golden-age

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painting

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watercolor

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watercolour illustration

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botanical art

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watercolor

Dimensions: height 265 mm, width 335 mm

Copyright: Rijks Museum: Open Domain

Curator: So here we have "Two Tulips with Two Flies," a watercolour painting created in 1637 by Jacob Marrel, currently residing at the Rijksmuseum. Editor: The delicacy of it gets me—the softness of the watercolors against the aged page... It's fragile but holds such vibrant forms! Makes you want to tiptoe through time. Curator: Indeed. Beyond the simple beauty, this painting offers insights into the 17th-century Dutch Golden Age and the intense "Tulip Mania" that gripped the Netherlands. The tulips themselves, particularly these broken tulips with their flamed patterns, were highly prized and traded at exorbitant prices. Editor: Knowing about that mania…those prices… Suddenly those little flies feel like they’re whispering a moral lesson. Like nature is about to reclaim all this temporary madness! The fragility really hits then. Curator: The inclusion of the flies is quite common in Dutch still life— a memento mori. While beauty endures on the surface, the inclusion of decay and impermanence served as a symbolic reminder. Even at the height of their value, they carry the symbolism of life's brevity and eventual return to the earth. Editor: Ah, yes! You can almost smell the faint scent of the blooms mixed with something…earthier. Did Marrel intend these specific tulips, the ‘Paragoon Schilder’ and ‘General Brasseur,’ to represent types that people risked everything for? Curator: Very possibly. The inscribed names are tulip varieties sought after at the time, yes. Also note, botanical drawings like these had economic value. Wealthy merchants used them like today's investment portfolios. They might never see their flower bloom. Editor: Art imitating trade and then shaping it... fascinating, no? This painting becomes this beautiful, quiet echo of such turbulence. Curator: Exactly. There is something almost defiant in its simple beauty, its small scale in the face of all the societal pressures the painting recalls. A moment captured with almost startling clarity. Editor: A world in a flower and a fly. And something wild remains, even centuries on, as these flowers bloom on, never to wilt, yet a subtle and delicate, vivid vision that will still vanish eventually... Makes you wonder.

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