Exterieur van de kathedraal van Burgos 1864 - 1920

Editor: This is "Exterieur van de kathedraal van Burgos," made sometime between 1864 and 1920 by Léon & Lévy. It seems to be some sort of photographic print. It’s really intricate. What historical context is important for understanding it? Curator: Considering it was created between 1864 and 1920, this photograph arrives amidst the rising popularity of architectural photography and increased tourism. Cathedrals were viewed not only as religious spaces but also as potent symbols of national identity and heritage. How do you think this dual role impacted its reception? Editor: I suppose the Church would have used these images for religious education. Others, for their travel albums or even political propaganda? Curator: Precisely! Moreover, architectural photography played a role in preserving historical buildings and served as an invaluable tool for architects. It allows for close examination of construction and decoration and also helps the common person connect with their history. Given its precise detail, does it remind you of similar visual traditions, and, if so, how does it relate to those historical images? Editor: You're right! The detail is incredible. Before photography, only meticulously made paintings or detailed architectural plans could provide this level of detail. This is almost like a photograph rendering those drawings obsolete, even making them available to more people.. Curator: Exactly. Think of how this availability shifted cultural perspectives and affected architecture's public role. And even the concept of preservation as tourism made places more prominent. Editor: I never considered the political power buildings can have. I will be pondering about it from now on! Curator: I am happy to broaden your awareness of the political context in the reception of the artwork! It is just as fascinating as analyzing the artwork's aesthetic features!