Card-Maker, from Encyclopédie by Benoit Louis Prevost

Card-Maker, from Encyclopédie 1762 - 1777

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drawing, print, etching, paper, engraving

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drawing

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print

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etching

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paper

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history-painting

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engraving

Dimensions: 315 × 208 mm (image); 355 × 225 mm (plate); 387 × 255 mm (sheet)

Copyright: Public Domain

Editor: This is "Card-Maker, from Encyclopédie," made between 1762 and 1777 by Benoit Louis Prevost. It's an etching and engraving on paper. It reminds me of an instruction manual; very diagrammatic. What can you tell me about its composition? Curator: Its strength lies in its organized, almost scientific presentation. Note how the image is divided into distinct registers: the upper half depicting the card-making workshop, and the lower half meticulously cataloging the tools and components involved in the process. Consider the contrast between the active scene above, filled with implied motion, and the static, analytical arrangement below. What purpose might this serve? Editor: I guess it makes the process feel both real and understandable. I like how the light and shadow emphasize the three-dimensionality of the equipment. Is that part of the artist’s intention, too? Curator: Precisely. Prevost employs hatching and cross-hatching techniques to create volume and texture, which serve to highlight the craftsmanship. Notice how the parallel lines define the shapes, contributing to clarity, and the absence of color reinforces a focus on form. Editor: It's so detailed. What does that say about art at the time? Curator: The precise and meticulous detailing speaks to the Enlightenment’s emphasis on reason, observation, and documentation. It functions as a visual encyclopedia, prioritizing objective representation over emotional expression. It embodies the belief that knowledge could be systematically acquired and disseminated. Editor: So, it's not just a pretty picture; it's an instruction manual with artistic merit? Curator: Indeed. Its beauty derives not from surface ornamentation, but from its rigorous and logical articulation of form and space. This print elevates functionality to an art form. Editor: That really changes how I see it. It's like the visual embodiment of rational thought. Curator: Exactly. Considering this through the lens of formalism illuminates its conceptual rigor, as well as its technical brilliance.

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