Schepping van de dieren by Orazio Borgianni

Schepping van de dieren 1615

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print, engraving

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baroque

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print

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pen sketch

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landscape

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figuration

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history-painting

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engraving

Dimensions height 138 mm, width 232 mm

Editor: Here we have Orazio Borgianni's "Creation of the Animals," from 1615, rendered in engraving. There's an almost naive quality to it, a menagerie contained within this neat hexagonal frame. I'm immediately drawn to this almost dreamlike state of creation, as though from a children's story. How do you approach a piece like this, with its inherent charm? Curator: Charm is one way to put it; I feel its pull as well. But step closer; imagine you're there amidst this menagerie. Can you feel the hand of God orchestrating it all? Look at the almost frantic energy of those early Baroque lines, the way they suggest life bursting forth. But isn't there a hint of confinement here, a tension in the ordering of it all within that hexagon? I find myself pondering that space between divine inspiration and imposed structure. What do you make of it? Editor: That tension definitely exists, and now it gives me the sense that this dream is not so innocent after all. Is the hexagon an effort to organize the natural world or restrain its untamed possibilities? Curator: Precisely! Or perhaps it mirrors how we, as humans, attempt to contain the uncontainable? And think about this: it is a *print*, inherently about reproduction and dissemination. Is that creative energy captured here or set free, reproduced infinitely? Is the Artist perhaps pondering something similar about the act of artistic creation itself? Editor: That adds another layer of complexity! So, the hexagon isn't just a border, it's almost a question about how we perceive and replicate creation itself. Curator: Precisely, my friend. It gives me shivers just thinking about the ways creation mirrors creativity. Perhaps that's its point: the best art never resolves its riddles completely. Editor: I'll definitely walk away from this piece seeing it with new eyes, appreciating not only its historical context but also the questions it subtly poses about life, art, and replication. Curator: Indeed, perhaps it offers more an invitation to see… and create.

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