Gedicht met herfstbloemen 1804

Kitagawa Utamaro created this print, "Gedicht met herfstbloemen," likely in the late 18th or early 19th century, using woodblock printing techniques. The process begins with a drawing, which is then transferred to a wooden block, often cherry. Skilled artisans carve away the areas that will not be printed, leaving the design in relief. Ink is then applied to the block, and paper is carefully laid on top. Pressure is applied using a hand-held baren to transfer the ink to the paper. Each color requires a separate block, demanding precise registration and layering. The materials, like the paper, are thin and absorbent. This allows for the subtle gradations of tone and color, enhancing the visual depth and atmosphere of the print. Beyond aesthetics, this labor-intensive practice highlights a sophisticated system of workshops, skilled artisans, and publishers, all essential to the widespread dissemination of art in Utamaro’s time. By understanding the social context of its production, we can consider the poem alongside the flowers.