Run by Margot Holt Bostick

Run 

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print, woodcut

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print

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figuration

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geometric

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group-portraits

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expressionism

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woodcut

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line

Curator: Before us we have "Run," a woodcut print by Margot Holt Bostick. Editor: My first impression is raw energy. The figures are so abstracted, almost geometric, yet their movement feels palpable. There's a roughness to the linework that communicates a sense of urgency. Curator: Absolutely. It evokes a certain anxious energy characteristic of expressionism, especially through the exaggerated forms and stark contrasts. Considering Bostick's body of work, this piece might reflect on social anxieties present within her community, using the act of running as a metaphor for escape or pursuit in complex urban and social landscapes. How do you perceive the materiality contributing to this overall message? Editor: Well, the woodcut technique itself lends to this feeling. The gouges and marks left behind emphasize the physical effort involved in its creation, a tangible record of labor that mirrors the exertion of running itself. It's a relatively low-tech process for a very direct form of communication. The texture almost feels… visceral. Curator: It certainly adds another layer to the piece. This emphasis on the physical brings up questions of labor in both art production and life, especially concerning access to resources and safe mobility. Could this imagery represent the pursuit of equality or the flight from oppression faced by certain groups, even today? Editor: Perhaps. Or consider it in terms of propaganda. Prints like these are historically designed for mass distribution. The image's bold simplicity translates easily, making it effective at conveying ideas to a wide audience quickly and cheaply. That geometric style isn't accidental; it is functional to the speed and accessibility of the process. Curator: I see your point about mass communication. Bostick's art then becomes more than an individual expression; it's a comment on accessible messaging and community engagement during turbulent times, reflecting critical issues and prompting dialogue. It’s all the more poignant now. Editor: Exactly. Ultimately, I see an elegant blend of medium and message. The physicality of the woodcut lends credence to the anxiety in the imagery. A potent blend! Curator: Indeed, it showcases how form and concept align to create a resonant piece that continues to spark dialogue about urgent social themes. Editor: A fantastic insight!

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