A Winter Landscape with Ice Skaters and an Imaginary Castle by Christoffel van den Berghe

A Winter Landscape with Ice Skaters and an Imaginary Castle 1615 - 1620

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painting, oil-paint

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baroque

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dutch-golden-age

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painting

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oil-paint

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landscape

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winter

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figuration

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genre-painting

Dimensions Overall, with added strips, 11 x 18 3/8 in. (27.9 x 46.7 cm); painted surface 10 3/4 x 18 in. (27.3 x 45.7 cm)

Curator: It's rather beautiful, isn't it? What draws your eye first in this "Winter Landscape with Ice Skaters and an Imaginary Castle?" It comes to us from Christoffel van den Berghe, around 1615 to 1620. Editor: The light, absolutely. It feels both gloomy and inviting. It's like a memory of a winter's day, hazy but with sparks of activity. That castle in the background… it's so… brooding! Curator: The artist captures perfectly the spirit of a Dutch winter scene. Ice skating scenes were definitely a thing at that time, a very specific subject matter. The imaginary castle, though, tells us something else. Castles carry potent symbolic weight – power, defense, history. Editor: That's interesting! And that imaginary element throws in a wrench – like a dream mixed with reality. Look at the figures! There is all kinds of people out there in the ice. The birds are perhaps souls roaming that place. Curator: Indeed! The detail is incredible. He's placed figures from every station of life on that frozen pond, all mingling. Even that little dog! The symbolism can also go a different way. The grey tonality can denote death; and winter can mean hard times or decadence... Perhaps the imaginary castle talks to the idea of making a point with fantasy, the painting being a message for the ruling class. Editor: True. And it's such a melancholic scene in its details, but when you step back, it evokes that communal joy, that… dance on the ice we sometimes miss so much. Curator: Yes, and winter festivals were really, truly important for those communities, as an expression of joy and getting together with fellow residents to celebrate the end of times of famine... These landscapes can often act as allegories of society. Editor: Thank you, I see now. It’s an entire little world painted there on the canvas. It has opened the doors to a reflection about community, death and fantasy... Who would have thought? Curator: It’s a beautiful glimpse into a world both real and imagined. I hope the listeners felt inspired by our interpretation of these emotional charges.

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