Zicht op Saumur by François Collignon

Zicht op Saumur 1620 - 1687

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print, etching, engraving

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baroque

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dutch-golden-age

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print

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etching

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old engraving style

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landscape

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river

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perspective

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cityscape

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engraving

Dimensions height 208 mm, width 418 mm

Editor: This print, titled "Zicht op Saumur" by François Collignon, created sometime between 1620 and 1687, is fascinating! It's an etching and engraving depicting a cityscape, but what really strikes me is the contrast between the detailed buildings and the looser rendering of the landscape. What do you see in this piece? Curator: What grabs my attention is the labor involved in producing this print. Consider the painstaking process of etching and engraving – the craftsman meticulously carving lines into a metal plate. The paper itself would have been handmade, sourced from specific mills, influencing the final texture and reception of the image. How does this level of manual production speak to the value placed on craft versus mass production? Editor: That's a perspective I hadn't considered. I was more focused on the image itself and the buildings of the city! Curator: The cityscape is important, certainly, as it offers insight into 17th-century urban life. But a materialist approach asks us to think about who had access to these prints. Were they for the wealthy elite to admire the French countryside from afar, or did they serve a broader function in documenting and disseminating knowledge? Editor: So, you're suggesting the print's *use*, who used it and for what purpose, impacts its meaning just as much as its aesthetic qualities? Curator: Precisely! Also, note the choice of materials - etching and engraving allowed for reproducibility. To what extent did the print medium democratize art and knowledge, or reinforce existing social hierarchies by circulating images to the elite, subtly reinforcing class distinction by depicting labor? Editor: That really opens my eyes to the social and economic implications of art production at the time. I initially saw a landscape, but it is actually a representation deeply rooted in materiality and power. Curator: Absolutely! It makes you realize that even seemingly straightforward depictions are shaped by the means of their production and the socio-economic context in which they were created.

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