Quai des Grands Augustine, Paris 1906

Curator: Let's explore Donald Shaw MacLaughlan's etching, "Quai des Grands Augustine, Paris," created in 1906. It resides here at the Art Institute of Chicago. Editor: It's incredibly dense. All those fine lines build a scene that feels both vibrant and hazy. There's a tonal range created by the close hatching that captures a feeling of urban grittiness and movement with real formal prowess. Curator: This scene offers a snapshot of Parisian life in the early 20th century. The Quai, a bustling waterfront, was integral to the city's commerce and social interactions. McLaughlan, though Canadian-born, was captivated by European urban scenes and often depicted them. This etching highlights the city's relationship with its river, portraying daily labor and transport. The architectural landmarks also signal progress. Editor: You mention architectural landmarks – the dome rising in the background really anchors the composition, creating an eye-line. I also find that MacLaughlan has a keen awareness of light. Notice how he modulates the shadows to create texture and depth? The reflections on the water are remarkable. Curator: Exactly. He actively participated in exhibiting societies throughout Europe and North America, which contributed significantly to the acceptance and the market for prints and etchings as original works of art, rather than just reproductions. He worked to elevate the status of printmaking as fine art. Editor: The way MacLaughlan captures atmosphere using relatively few tools, and the dynamic arrangement of its elements—those details create such a striking visual experience. Curator: Indeed. MacLaughlan's rendering gives us insight into the development of printmaking. "Quai des Grands Augustine, Paris" stands as both a work of art and a testament to changing perceptions of print media at the turn of the century. Editor: It encourages us to observe our own urban surroundings with newfound awareness of texture, form and light.