Jonge vrouw in mantel in een winterlandschap by Richard Houston

Jonge vrouw in mantel in een winterlandschap 1731 - 1766

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print, engraving

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portrait

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pencil drawn

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facial expression drawing

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baroque

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print

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pencil sketch

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landscape

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caricature

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winter

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portrait reference

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portrait drawing

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genre-painting

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engraving

Dimensions: height 347 mm, width 249 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Richard Houston's "Young Woman in a Cloak in a Winter Landscape," an engraving from somewhere between 1731 and 1766. I'm struck by how the artist juxtaposes the elegant woman in the foreground with what appears to be almost a chaotic winter scene behind her. What kind of statement do you think the artist is making here? Curator: It’s interesting to consider this image in light of the evolving role of women and the perception of winter within 18th-century society. Engravings like this were widely disseminated, serving as a form of visual media accessible to a burgeoning middle class. The "chaos" you observe in the winter scene might be less about disorder and more about everyday life – a scene of commoners enjoying winter sports. Editor: So you are saying it is possibly more of a statement about social strata? Curator: Perhaps. How does her positioning, framed by the architecture, separate her from this scene of everyday activity, highlighting a social distinction? It brings to mind questions about class, privilege, and the contrasting experiences within the same season. The landscape behind is more than just a backdrop; it's a societal context. The choice to depict these scenes alongside this privileged young lady serves a critical commentary. Editor: That's fascinating. I hadn't considered the engraving as a form of social commentary itself, readily available and subtly critiquing the social order. Curator: Exactly. Think of engravings as the newspapers or social media of their day – a medium capable of shaping public perception and sparking conversations, or re-inforcing existing social hierarchies and notions of feminine virtues and values. By portraying the figure in the engraving adjacent to and slightly detached from the commonality of winter life, it prompts questions about the public roles and images afforded to women of different social standing at this time. Editor: This completely shifts my perspective! Thanks, I learned a lot about social and gender studies through the art today! Curator: My pleasure. Hopefully, these thoughts bring this beautiful image to life for the visitors.

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