Liesbeth Quarles v. Ufford en Dora Reub-Arntzenius c. 1860 - 1915

Editor: This is "Liesbeth Quarles v. Ufford en Dora Reub-Arntzenius" by Willem Witsen, a photograph from between 1860 and 1915, held at the Rijksmuseum. It's quite striking how stark and almost confrontational the gaze of the two women feels. What do you see in this piece? Curator: Indeed, there’s a certain directness that cuts through time. The women’s eyes hold a cultural memory; their very posture speaks of a particular social positioning of women at the turn of the century. But it’s not just sociological, it’s deeply psychological too. Note how their proximity creates both a bond and a distinct sense of individual presence. Do you pick up on that interplay? Editor: I do, especially in their expressions. One appears almost reserved, with a softly tied bow, while the other seems more… forthright, almost severe, emphasized by that sharp brooch. Is that contrast intentional, do you think? Curator: Possibly, or it could reflect differing self-presentations, aspects of their identities intentionally displayed. The clothing choices—the details of the bow, the brooch, even the plainness of the blouses—become symbolic of something deeper than mere fashion. These details connect with specific social movements. Think of women's evolving role in that era. Does that connection influence how you see their gazes? Editor: Definitely. Knowing that contextual layer, their expressions become even more charged. There's a sense of both constraint and quiet defiance in them. The natural setting also gives a romantic mood, somewhat contrasting with their frontal pose. Curator: The "pictorialism" style that’s been applied to the image allows the natural and human elements to engage with one another, in tension. This adds to its evocative power. The faces become like landscapes themselves, marked by the subtle forces of societal pressure and personal will. What do you make of that reading? Editor: It’s fascinating how much can be communicated through these carefully constructed visual symbols. I’m seeing this piece in a whole new light. Curator: And hopefully recognizing how the echoes of their era still resonate within our own. These images help us trace the unbroken chain of cultural expression and shared humanity.