Midden gedeelte van een panoramafoto met de Bromo en omgeving, Java, voormalig Nederlands-Indië by Onnes Kurkdjian

Midden gedeelte van een panoramafoto met de Bromo en omgeving, Java, voormalig Nederlands-Indië 1903 - 1912

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photography

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scenic

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natural formation

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countryside

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asian-art

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nature photography

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landscape

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nature

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photography

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outdoor scenery

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nature friendly

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nature heavy

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nature environment

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naturalism

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shadow overcast

Dimensions: height 170 mm, width 235 mm

Copyright: Rijks Museum: Open Domain

Curator: Well, look at that! Talk about drama! That monochrome palette just cranks up the mystery, doesn't it? Like stepping into a dream... or maybe a very vivid memory. Editor: Indeed. We're looking at a photograph, "Midden gedeelte van een panoramafoto met de Bromo en omgeving, Java, voormalig Nederlands-Indië," taken sometime between 1903 and 1912 by Onnes Kurkdjian. Notice how Kurkdjian uses the frame to create this atmospheric layering. Curator: Layering is right. You've got this foreground bit of wild grass—hello there!—and then *BAM*, you're launched into this sea of cloud. Is it cloud? Is it smoke? Are we sure it's not just some gorgeous painterly effect conjured from thin air? It feels like everything I feel during the first moments of sunrise! Editor: The genius of Kurkdjian here is how the peaks interrupt that sea. The conical shape of Bromo itself, partially obscured and venting a plume, sets up this visual echo repeated by the more distant mountains. It guides the eye... creates a compositional harmony from chaos. There is an incredible feeling of space rendered by carefully calibrated tones, Curator: And tension! Volcanos always have tension. You can practically smell the sulfur. Like the land itself is sighing or, well, burping... This photo manages to make you feel tiny and yet somehow... connected. Editor: Consider that feeling of scale in relation to its historical context. This image emerges from a colonial gaze, certainly, but Kurkdjian's skillful handling elevates the natural subject beyond mere documentation. Note how there is only natural artifice employed in service of landscape in all its power. This contrasts the then modern industrial process with its enduring grandeur. Curator: I think that even knowing about colonialism and such, you still just want to throw your arms wide open and whisper, "Javaaaaaa." Editor: A testament, perhaps, to the complex dialogues a photograph can trigger across time. Curator: Yes. Definitely leaves you feeling breathless...and pondering our place in it all, you know? In the smoke and shadows of those gorgeous volcanoes? Right?

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