Snuffbox by Jean Frémin

Snuffbox 1756 - 1757

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ceramic, sculpture

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ceramic

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flower

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stoneware

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sculpture

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ceramic

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decorative-art

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rococo

Dimensions Overall: 1 9/16 × 3 3/8 × 2 3/4 in. (4 × 8.6 × 7 cm)

Curator: What a delight! Before us, we have a Snuffbox, crafted sometime between 1756 and 1757. It’s a ceramic piece, likely stoneware, and considered within decorative art. The piece is credited to Jean Frémin and calls the Metropolitan Museum of Art home. Editor: Well, it certainly has a... festive air, doesn't it? I can almost smell the perfume clinging to its surface! A tiny universe of gold and pastels; definitely shouts "Rococo" without even trying. Curator: Precisely! Rococo at its most playful. Now, looking at it through a materialist lens, the question becomes: what was the impact of crafting something so meticulously detailed on such a small scale? The process must have been incredibly labour intensive. Editor: One wonders about the maker’s hands as they worked the stoneware to shape such small elements! All those little golden tendrils – must've required incredibly skilled hands and an absurd level of focus! This box speaks to a culture of excessive production, especially where luxury goods are concerned. Curator: Agreed. Consider, too, that tobacco itself was an imported, highly coveted commodity. A snuffbox wasn't just a container; it was a symbol of status. Editor: Yes, it represents that entire culture where access to certain things like flowers out of season could be manufactured—to some extent—for people that could afford it! And here we see an artisan, meticulously creating something not particularly practical but delightful and representative of status and wealth. Curator: I find myself pondering its emotional impact. Beyond the luxury and status, do you get a sense of longing, perhaps a gentle melancholy clinging to these pastel flowers? Editor: Melancholy, huh? I get more of a, maybe... resigned pleasure. As if the owner understood the inherent ephemerality of beauty and wanted to trap it for themselves for a few hours! All those hours and careful manipulation... what a gorgeous paradox, eh? Curator: Indeed! I'm just swept away imagining it passed around in dimly lit drawing rooms with so much style! Editor: Yes, all those layers... both visible and unseen! Something special resides here indeed.

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