Lent 1894

Théophile-Alexandre Steinlen made this print, called "Lent," at an unknown date. Here, Steinlen uses the visual language of caricature to deliver a strong social critique. We see a stark contrast between a wealthy man in an oversized fur coat and top hat, and an emaciated, shirtless worker. The wealthy man is unflatteringly depicted as stout and self-satisfied, while the worker appears gaunt and weary. The title, "Lent," suggests a period of sacrifice and reflection, traditionally associated with the Christian calendar. However, Steinlen seems to be using the concept ironically. The wealthy man, presumably a member of the bourgeoisie, appears untouched by any sense of moral obligation or social responsibility. The worker, on the other hand, embodies the true spirit of sacrifice, but not by choice. Prints like this were often published in newspapers and magazines, making them accessible to a wide audience. Steinlen used his art as a form of social commentary, addressing the inequities of wealth and power in late 19th-century France. We can better understand this artwork by exploring the history of French social movements and labor relations during this period.