Swindern's Love-Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Swindern's Love-Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands 1889

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drawing, coloured-pencil, print

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drawing

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coloured-pencil

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print

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impressionism

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coloured pencil

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genre-painting

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Curator: Allen & Ginter's "Swindern's Love-Bird" dates back to 1889. It's a colour pencil drawing, printed as part of their "Birds of the Tropics" series for cigarette cards. Editor: What strikes me immediately is the softness, the way the colors blend. It's a surprisingly gentle image, considering it was mass-produced. The chromatic texture suggests a calming aura, don't you think? Curator: The impressionistic style is key, softening the image. But it also fits into a broader trend—the late 19th century saw a huge interest in exoticism and natural history. These cards served as collectible windows onto the wider world, reinforcing ideas about empire and exploration. Editor: Interesting, the composition, how the two birds fit together so harmoniously, almost forming a single shape. It is as if they are one being; what about this tight proximity to be read as the very condition for love? Curator: Exactly, they are icons of domesticity, but of a very specific kind, packaged alongside a commodity. Think about the cigarette brands themselves—oriental tobacco, blending the exotic and the everyday. The image contributes to constructing and disseminating aspirationally bourgeois imagery. Editor: Semiotically, the parrots' vivid red tail feathers and the hint of turquoise break the prevalent verdant, adding just enough visual tension to stop the image from being totally passive and homogenous. The artist plays with hues masterfully to provide that desired aesthetic effect, isn’t it? Curator: Of course, color balance creates an attractive little image and, more significantly, helps make these cards incredibly popular! They were inserted in cigarette packs to encourage collecting, swapping and therefore repeat purchases. Editor: I now see the card, it suddenly emerges like a window into the visual culture of this specific time. A piece which combines industry, artistry, consumerism… Curator: Precisely. A confluence of art, commerce, and culture; what can feel more genuine and transparent than love? Editor: Now it strikes me much harder... Such a powerful lens into understanding society's obsessions and priorities at the time.

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