The Reverend Mr. William Cooper 1744

Curator: This is Peter Pelham's mezzotint, "The Reverend Mr. William Cooper," housed at the Harvard Art Museums. Editor: It has such a somber, serious tone, doesn't it? The oval frame and the monochromatic palette really focus attention on Cooper's expression. Curator: The formal elements are quite striking. Notice Pelham's skillful use of chiaroscuro to model Cooper's face and wig. The varying tones create a real sense of depth. Editor: Absolutely, but I'm also struck by what the portrait signifies. Cooper was a prominent religious figure in colonial Boston. This image speaks to the power structures of the time, and the role of religious leaders in shaping societal norms. Curator: Indeed, mezzotint engravings like this were a way to disseminate images of important figures widely. Look at the textures Pelham achieves! Editor: It gives us a glimpse into the visual culture and social hierarchies of colonial New England. I appreciate how it captures an important voice. Curator: A fascinating study in light and shadow, really. Editor: A reminder of the intersection between faith and influence in early America.