Festoen met attributen van de personificatie van het element Vuur aan westzijde van de Burgerzaal in het Stadhuis op de Dam by Hubert Quellinus

Festoen met attributen van de personificatie van het element Vuur aan westzijde van de Burgerzaal in het Stadhuis op de Dam 1663

0:00
0:00

drawing, engraving

# 

drawing

# 

light pencil work

# 

allegory

# 

baroque

# 

pen sketch

# 

pencil sketch

# 

figuration

# 

11_renaissance

# 

personal sketchbook

# 

sketchwork

# 

ink drawing experimentation

# 

pen-ink sketch

# 

line

# 

sketchbook drawing

# 

pencil work

# 

sketchbook art

# 

engraving

Dimensions height 321 mm, width 98 mm

Curator: Today, we’re looking at Hubert Quellinus’ 1663 drawing, "Festoen met attributen van de personificatie van het element Vuur aan westzijde van de Burgerzaal in het Stadhuis op de Dam," held in the Rijksmuseum. Editor: Whoa, that's a mouthful! First impression? This drawing is just brimming with symbolism. It's all so meticulously rendered, it almost feels like looking at an intricate blueprint for… something incredibly dramatic. Curator: Precisely. Quellinus' intent was allegorical. We see various iconographic elements associated with the element of fire: blacksmithing tools wielded by cherubic figures, weaponry suggesting its destructive potential, all meticulously stacked to form a coherent linear structure. Editor: So, it's not just fire, but controlled fire, right? I mean, those blacksmiths are shaping metal. And the arms represent fire used for defense. It has a real push-pull going on: creation versus destruction, all rendered with that delicate Baroque touch. It is like watching flames frozen in pencil lines. Curator: A pertinent observation. The artist balances these contrasting ideas, echoing the function of fire, vital yet volatile. Quellinus has also clearly invested much time refining line quality— the crispness defining form versus the softness suggesting flickering light and motion. Editor: I'm seeing a narrative here, of course, fire, which transforms – consumes but also refines. Plus, look at that crest-like formation at the bottom. Feels like Quellinus saying that humanity has harnessed, and continues to harness, this raw force for both its benefit and detriment. Bit of a cautionary tale, wouldn't you say? Curator: One might indeed interpret it as such, especially considering its placement in the Burgerzaal, intended for civic functions and judgments. To reiterate, it is also crucial to understand the materiality itself. Its existence as an engraved drawing reveals Quellinus' exploration with graphic reproduction, to extend reach. Editor: True. I am still drawn to how this sketch, intended perhaps as preparation, possesses such strength. There's a certain immediacy to it. Curator: Its lines hold enduring fascination; this drawing still invites layered analyses, even across eras. Editor: It's like glimpsing the raw idea of harnessing fire, caught right as it takes shape in the artist’s mind, and for me that is magic.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.