Card 5, from the Girl Baseball Players series (N48, Type 1) for Virginia Brights Cigarettes 1886 - 1888
drawing, print, photography
portrait
drawing
pictorialism
baseball
photography
coloured pencil
Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
Editor: Here we have "Card 5, from the Girl Baseball Players series," made between 1886 and 1888 by Allen & Ginter. It's a photo printed as a collectible card, currently residing at the Met. It strikes me as a really interesting artifact of its time, almost staged, yet presenting these women in a progressive athletic light. What's your interpretation of it, considering the historical context? Curator: This image operates on several socio-political levels. Its creation coincided with a burgeoning women's rights movement, yet was circulated as a commercial product—a cigarette card. We should question: to what extent did these cards challenge or reinforce existing societal norms regarding women’s roles? Editor: So it’s a bit of a paradox, promoting a kind of freedom alongside something as conventional as a cigarette advertisement? Curator: Precisely. And consider the staged nature of the photograph. This image participates in constructing an ideal, a fantasy of athletic women easily consumable within Victorian society. The visual presentation is just as important as the supposed subject. Are these idealized figures or realistic portrayals of female athletes? Who gets to decide? Editor: That's a perspective I hadn't considered before. The staging almost makes it less about the actual sport and more about... projecting an image of female athleticism deemed acceptable. Curator: The museum’s role in exhibiting these artifacts, too, adds another layer of meaning. By placing them on display, we’re engaging in a continuous dialogue with the past, interrogating not just the image, but its enduring impact. Editor: I see how the socio-political implications of art extends beyond the moment of its creation to shape public perception today. Thank you, that really brings it into perspective! Curator: Indeed. Looking at art this way helps us understand not just history, but ourselves and how society continues to be structured by images.
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