Minerva Protects Pax from Mars (‘Peace and War’) (1) by Leon Kossoff

Minerva Protects Pax from Mars (‘Peace and War’) (1) 1998

0:00
0:00

Dimensions: image: 460 x 552 mm

Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Leon Kossoff's etching, "Minerva Protects Pax from Mars," seems to be a swirling vortex of nervous energy. Editor: It feels chaotic, almost aggressively so. The lines are so frantic, like a charcoal drawing rubbed raw. Curator: Right, the composition is based on Rubens, and Kossoff is very interested in how public institutions displayed this type of artwork. Editor: It's hard to make out the figures at first glance. But I think I can see Minerva, the goddess of wisdom, shielding Pax, who embodies peace. Mars, the god of war, looms in the background, doesn't he? Curator: Exactly! Kossoff uses this classical imagery to make a potent statement about the fragility of peace in the face of conflict. Perhaps he's showing us that institutions are the source for this peace, always under threat. Editor: Knowing Kossoff’s own wartime experiences, one can only wonder if it acts as a visual echo of history, a raw expression of its cyclical nature. Curator: It is a powerful image, and I think its lasting impact lies in its ability to evoke such intense emotions and ask big questions about peace and war, even now. Editor: Yes, a great reminder that even in this image, peace is a constant struggle.

Show more

Comments

tate's Profile Picture
tate 1 day ago

http://www.tate.org.uk/art/artworks/kossoff-minerva-protects-pax-from-mars-peace-and-war-1-p11700

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 1 day ago

This print is one of many etchings executed by Leon Kossoff in response to, and literally in the presence of, oil paintings by old masters; in this case Minerva Protects Pax from Mars (‘Peace and War’), 1629-30, by Peter Rubens (1577-1640), owned by the National Gallery, London. Tate owns five prints by Kossoff after this Rubens painting (Tate P11700-4). The artist’s ability to explore a number of separate responses while making drawings and prints from a single subject is illustrated in these etchings. This print was never published as an edition; Tate owns the second trial proof.