Redout van Willemstadt by Bonaventura Peeters I

Redout van Willemstadt 1624 - 1652

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print, engraving

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baroque

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dutch-golden-age

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print

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landscape

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cityscape

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engraving

Dimensions height 159 mm, width 244 mm

Curator: Before us hangs "Redout van Willemstadt," an engraving created sometime between 1624 and 1652 by Bonaventura Peeters I, a prominent figure in Dutch Golden Age marine painting. Editor: My immediate impression is one of both fragility and resilience. Look at those spindly lines conjuring up churning waters. It's a precarious balance the ships and tower strike against the sky. Curator: That precariousness mirrors the Dutch Republic's own at the time. These waterways were both arteries of commerce and potential invasion routes. This is not simply a neutral landscape; it is steeped in political and economic context. Consider, too, that maritime power was also a crucial component of colonialism, intrinsically linked with enslavement and the extraction of resources from colonized lands. Editor: I see that, and also notice how the flags atop the ships—boldly patterned against the relatively muted sky—almost communicate a coded language. There is such symbolic weight carried by these ensigns, they represent wealth, military strength, and trade routes stretching across continents. Do you think it captures a shared sense of collective Dutch identity? Curator: Absolutely. Think about the act of naming the image "Redout van Willemstadt", immediately invoking the burgeoning mercantile confidence and aspirations of the region. This maritime scene exists alongside images of town squares bustling with the newly formed Bourgeois class. There's a narrative here that prioritizes new power dynamics, new value systems. Editor: These subtle clues become really interesting when reading them through the artist. Can we perhaps interpret some kind of national allegory in Peeters’ image? Maybe to reflect his personal political viewpoints, too. Curator: The potential for critical interpretations is vast. The image asks us to consider its historical specificity as well as its potential complicity in propping up historical hegemonies. Editor: A seemingly straightforward seascape then, is charged with a powerful array of coded visual signals. The flags, the sturdy tower, the open water: they converge to reflect an entire complex historical moment, fraught with both opportunity and looming threat.

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