Elbow, Knee and Drapery for the Law, "Israel and the Law," Boston Public Library 1895 - 1916

Curator: This is John Singer Sargent's study, "Elbow, Knee and Drapery for the Law," part of his work on "Israel and the Law" at the Boston Public Library. Editor: Immediately, I perceive a sense of weight, not only in the folds themselves but a psychological gravity. Curator: Indeed, the somber monochrome palette and the density of the charcoal strokes emphasize volume and texture. Notice how Sargent uses hatching to create depth. Editor: Drapery is so often symbolic of mourning or religious ceremony. Considering the title, I can't help but wonder about the weight of law and tradition on the figure it would adorn. Curator: Perhaps Sargent sought to imbue the abstract concept of "Law" with a tangible, even burdensome, physical presence through this draped figure. Editor: It certainly leaves a haunting impression. I appreciate how the fabric seems almost to possess a life of its own, separate from any body it might clothe. Curator: Agreed, its form communicates profound concepts even in its unfinished state. Editor: Yes, a powerful statement distilled down to line and shadow.