ceramic, porcelain, sculpture
ceramic
porcelain
sculpture
decorative-art
Dimensions Height (cup .207): 2 5/8 in. (6.7 cm); Diameter (saucer .208): 5 1/8 in. (13 cm)
Curator: My first impression is that this cup and saucer have a very clean, modern sensibility. Is it contemporary? Editor: Actually, this exquisite cup and saucer were produced by the Meissen Manufactory between 1755 and 1765. It's currently held in the collection of the Metropolitan Museum of Art. The pieces are crafted from porcelain. Curator: Ah, Meissen. That explains the formal approach, but I'm still drawn to its simplicity. There are no ornate flourishes, no busy scenes—just the flowers. Editor: And what flowers they are. The white roses immediately catch my eye. Roses have long been symbols of love and beauty, of course, but white roses especially have connotations of purity, innocence, even silence. The piece whispers more than it shouts, don’t you agree? Curator: Absolutely. The artist isn't just presenting botanical accuracy, they’re tapping into centuries of encoded meaning, using flowers as a sort of visual language. Also, it could represent the popular appreciation for scientific advances of the Enlightenment, since many porcelains feature floral imagery copied from newly published encyclopedias. Editor: Look at the handle of the cup—it seems almost organically grown, as if a stem itself blossomed into a grip. Curator: Yes! It adds to the impression of delicate elegance, as though it’s intended for gentle use. It’s interesting how objects can embody ideals, a whole cultural mood… the piece transmits a quiet, almost restrained sophistication. Editor: It's striking to me that the artisans chose this refined palette. The subtle contrast between the soft white flowers and the understated gold ground enhances the gentle nature of this sculpture. Its refinement feels so different from some of the louder decorative arts from the era. Curator: The piece makes us realize that the meaning of even common, everyday items are always changing and taking on new resonances. The flowers act as ciphers—endlessly adaptable symbols within a matrix of memory. Editor: Right—and how such formal beauty continues to spark fresh reflection in us today.
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