Carpet with Fame and Fortitude by Savonnerie Manufactory

Carpet with Fame and Fortitude 1668 - 1685

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weaving, textile, sculpture

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portrait

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allegory

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baroque

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weaving

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textile

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geometric pattern

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11_renaissance

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sculpture

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decorative-art

Dimensions Overall: 358 x 181 in. (909.3 x 459.7 cm) [confirmed 5/19/2006]

Curator: Looking at this impressive piece, one can't help but be swept away by the ambition and scale of the late 17th century. We're standing before a carpet created between 1668 and 1685 by the Savonnerie Manufactory, titled "Carpet with Fame and Fortitude." It’s a stunning example of Baroque weaving and a beautiful piece in the Met's collection. Editor: My initial thought is… opulent. The intricate details, the sheer density of pattern, it’s almost overwhelming in a gorgeous way. It feels very self-assured, doesn't it? A real statement piece. Curator: Absolutely. Savonnerie carpets were originally made for the Grande Galerie of the Louvre. The design incorporates allegorical figures within geometric and floral patterns and symbolizes royal power. It served as a backdrop for courtly life. Imagine the stories it could tell! Editor: Knowing that, I’m suddenly struck by its role in propping up power. This isn’t just a pretty carpet; it’s woven with narratives of fame and fortitude – reinforcing the image the monarchy wanted to project. The female figures look more like subjugated pawns than symbols of liberty. Curator: I see your point. One might say that by weaving in Fame and Fortitude, they literally and figuratively elevated the monarchy through this artwork. Yet it also showcases exquisite skill and artistic craftsmanship. It makes me wonder if artisans thought about who the true heroes are here. Editor: Craft is not neutral; luxury production like this had profound economic and social consequences. Did this exquisite artistry reinforce existing inequalities? Thinking about these things transforms our appreciation. Curator: Yes! A masterpiece like this can inspire introspection. Maybe it's an invitation to reflect on our world too. It shows you, what initially presents itself as decorous conceals complex power dynamics. Editor: Definitely. And for me, recognizing that interplay transforms an object of beauty into a prompt for critical thinking.

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