Two Geisha Walking under a Cherry Tree c. 1781

Torii Kiyonaga made this woodblock print of two geisha strolling under a cherry tree in Japan, sometime in the late 1700s. Known as ukiyo-e, or "pictures of the floating world," these prints were meticulously crafted, involving teams of artisans. Each color required a separate block, carved by skilled hands. This division of labor reflects a move toward mass production, catering to the burgeoning urban class. Note how the flat, graphic style emphasizes line and pattern. The flowing robes, adorned with delicate motifs, suggest the geishas' refined taste. The cherry blossoms, a symbol of fleeting beauty, add a touch of melancholy. These visual elements aren't just decorative, they speak to the social context of their production, and the highly specialized skills that underpinned it. By appreciating the material and processes involved, we gain a deeper understanding of this image and the world it represents. In this case, craft isn't just about technique. It's a window onto Japanese society, and the complex interplay of art, labor, and commerce.