Slag bij Waterloo, ter ere van Willem Frederik George Lodewijk, erfprins der Nederlanden by Anonymous

Slag bij Waterloo, ter ere van Willem Frederik George Lodewijk, erfprins der Nederlanden 1815

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Dimensions: diameter 2.5 cm, weight 4.93 gr

Copyright: Rijks Museum: Open Domain

Editor: Here we have an object titled "Slag bij Waterloo, ter ere van Willem Frederik George Lodewijk, erfprins der Nederlanden," commemorating the Battle of Waterloo. It was made in 1815, by an anonymous artist, and currently resides at the Rijksmuseum. Initially, it strikes me as rather humble; a simple medal, perhaps even intimate in scale, meant for personal reflection rather than grand public display. What do you make of this unassuming artifact? Curator: That's a keen observation! I'm always intrigued by how objects meant to trumpet grand victories often end up whispering their stories, just like this one. Its small size certainly pulls us in for a closer look, a private moment amidst the historical noise. Look at the material – most likely bronze or silver, encased in fabric that seems timeworn. How does that pairing strike you? Editor: It’s quite a contrast! The metal feels strong and enduring, yet the fabric appears fragile, almost ephemeral, hinting at the passage of time. Curator: Precisely! The medal itself depicts a military figure, Willem Frederik George Lodewijk, but encased as it is, the image becomes less about bravado and more about… remembrance. It’s not just about celebrating a victory; it’s about contemplating the cost and the enduring nature of history on individual lives. Maybe this fabric once was part of something more significant to the medal's recipient, like a piece of a uniform or flag? It's fun to let my mind wander with these smaller artifacts; isn't it? Editor: Definitely. That makes me see it in a new light. It transforms the object into something far more personal and layered. Thanks for helping me look beyond the surface. Curator: My pleasure! Sometimes, it’s the quietest voices that tell the most captivating tales, just waiting for us to listen, or, in this case, to really *see*.

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