Studies for a Rest on the Flight into Egypt by Rutilio Manetti

Studies for a Rest on the Flight into Egypt 1571 - 1639

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drawing, print, paper, ink

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drawing

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print

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charcoal drawing

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figuration

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paper

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madonna

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ink

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child

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italian-renaissance

Dimensions: 9 7/16 x 7 1/4in. (23.9 x 18.4cm)

Copyright: Public Domain

Curator: Here we have Rutilio Manetti’s "Studies for a Rest on the Flight into Egypt," created sometime between 1571 and 1639. It's an ink and charcoal drawing on paper. Editor: Immediately, there’s a softness, almost a dreamlike quality. The sepia tones and the gentle curves create an aura of calm. It's quite an intimate depiction. Curator: The composition certainly guides our eye directly to the figures. Observe how the darker washes define the Virgin and Child, anchoring them visually against the lighter background, even if it is quite a rudimentary sketch.. The structural integrity relies on this interplay of light and shadow, wouldn’t you say? Editor: Absolutely. The grouping certainly holds thematic weight. Mary and the Christ Child are universal symbols of motherhood and innocence. And consider the inclusion of cherubic figures—they introduce the sacred, reinforcing the divine protection granted to the Mother and Child. They give hope amid an event involving escape and potential danger. Curator: Indeed, each form is deliberately placed. Note the economy of line; Manetti skillfully uses line to convey volume and emotion. His deployment of chiaroscuro grants the image a powerful dynamism. It feels like he’s capturing a fleeting moment. The way forms build out the central shape but stay fairly unfinished across the paper is important too, the incompleteness an essential formal ingredient of this artwork. Editor: That fleeting quality you mentioned only adds to its emotional impact. It prompts contemplation. Mary's rest evokes not just physical respite, but a moment of profound reflection and devotion. The entire tableau asks us to empathize with her trials and to recognize the eternal message of safety, haven and maternal compassion. Curator: It's intriguing how Manetti uses basic pictorial means to express complex ideas of protection, respite, and sanctity. His graphic restraint actually enhances the potency of the image. Editor: In sum, Manetti's rendering provides insight into this story but more prominently acts as an image of human care.

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