Cornelis Outshoorn (1810-75). Engineer and Architect by Moritz Calisch

Cornelis Outshoorn (1810-75). Engineer and Architect 1850 - 1870

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Dimensions height 120 cm, width 99 cm

Curator: Standing before us, we have a portrait of Cornelis Outshoorn, the Dutch engineer and architect. Painted between 1850 and 1870 by Moritz Calisch, using oil paint. Editor: He strikes me as terribly serious! All the shadows give him a bit of a severe edge. Although that soft light on his face hints at some hidden depth beneath the stern exterior. Curator: Well, that's precisely the era, isn't it? There's that kind of sternness of duty about him. But you see how his gloved hands gently rest? Editor: Right, it's about more than cold power, I guess. Hands can really give you the key to character! Curator: That's where it gets so very clever. I'd suggest he might want us to understand what is conveyed beyond mere formality. The detail in the medal, the fall of light across the fabric—Calisch is inviting us to unpack symbols of ambition and honor. Editor: Medals and subdued finery always whisper of stories lived. I bet he was some civic leader! Curator: Indeed. Outshoorn contributed significantly to the Dutch landscape. Canals, civic buildings...he literally reshaped the Netherlands! In a time of national consolidation of values, his face becomes recognizable to those values. Editor: I suppose those solid lines and somewhat subdued colors help root him in the world of solid engineering as well. Curator: I think the artist invites us into pondering that intersection, that link between ambition, public service, private feeling. The muted backdrop makes you stay put, observing and drawing from him his intention as a force and mind behind a transforming nation. Editor: What’s so fascinating to me is the dialogue between external representation and what simmers underneath. I look and want to uncover all those buried layers... Thank you for the excavation! Curator: An absolute pleasure. There is, for me, something timeless about Outshoorn's gaze. It’s more of a quest, really: he seems to want to grasp us still!

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