Screen c. 20th century

Curator: Let’s turn our attention now to “Screen,” a mixed-media piece of weaving made sometime in the 20th century by an anonymous artist. Editor: Instantly calming, almost meditative. It's a field of tightly woven textures, earthy browns meeting creams. Like looking at a vast landscape seen from a great height. Curator: Landscape is interesting! I see this as an abstract piece that pushes against utility— it has this presence beyond what a regular woven room divider would convey. It evokes this tactile sense, inviting us to ponder how everyday materials like textile, when ordered conceptually, change and challenge meaning. Editor: I like that "pushing against utility" concept, so, the grid, then. The absolute regularity of the grid seems to contain, but maybe it also subtly liberates. You've got these slight variations, in tone, in the tightness of the weave, a constant but delicate interplay of texture and subtle gradations. Are there any clues why the author chose these earth tones? Curator: Good eye— I'd wager it's the raw, honest nature of the earth tones used; their presence grounds the piece. By letting us examine this woven surface, its form allows a conversation between traditional handicraft and minimalist thought. Imagine the time it took, the repetitive labor. Each imperfection contributes to the overall texture. Almost like handwriting! What if this were their diary? Editor: Diaries hide! I love your intimate interpretation. I was veering off toward broader things -- the grid as symbol for industrialization. Maybe my idea is a reach because you are on to something intimate in the meticulous process, which is more appealing... The touch, the presence. I will trust that path. I feel like now I will go to find out for myself! Curator: Indeed, it has revealed several approaches of feeling closer to this woven window that can hide the body and soul... Thank you, that was revealing!