Frederik d. Store rider hjem efter en revy ved Potsdam 1788 - 1791

Editor: We're looking at "Frederik d. Store rider hjem efter en revy ved Potsdam," made between 1788 and 1791 by J.F. Clemens. It's a print or drawing – an engraving, maybe, or a charcoal drawing – showing Frederick the Great on horseback surrounded by a large group, probably his troops. The image has a very classical, almost staged quality. What jumps out at you when you see this piece? Curator: What strikes me is how this work participates in constructing and reinforcing the image of Frederick the Great. The sheer number of figures meticulously rendered, the emphasis on military order even on what is ostensibly a return "home"... these all contribute to a carefully crafted public persona. Do you get a sense of intimacy or spontaneity? Editor: Not really. It feels very deliberate and… well, propagandistic. Curator: Precisely. Consider the role of prints in the late 18th century. They were a primary means of disseminating images and ideas. Clemens's work isn't simply a depiction; it’s an active agent in shaping Frederick's legacy, transforming the king into an almost mythic figure, reinforcing the power structures of the Prussian state. Where do you see that legacy today? Editor: It is pretty relevant now! Considering the relationship between leaders and public image…it’s clear the manipulation isn’t new, just amplified. This piece reminds me how crucial art is in constructing those narratives. Curator: Exactly. Examining pieces like this helps us become more critically aware of how images function in our society. Thank you for taking time to talk about it! Editor: Thanks, I found that really helpful in thinking about its social function.