The Visitation (exterior wing of the altarpiece allegedly from Saint Peter's, Frankfurt) by Anonymous

The Visitation (exterior wing of the altarpiece allegedly from Saint Peter's, Frankfurt) c. 1420

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panel, tempera, painting, oil-paint

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portrait

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woman

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medieval

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panel

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tempera

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painting

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oil-paint

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figuration

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oil painting

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12_15th-century

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painting painterly

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history-painting

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international-gothic

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portrait art

Dimensions 189.6 x 74.1 x 0.9 cm

This panel, allegedly from Saint Peter's in Frankfurt, depicts the Visitation and presents us with a powerful symbolic encounter. Elizabeth and Mary, haloed in gold, stand before a monumental gateway. The gate suggests not only a passage but also a profound meeting of destinies. Notice Elizabeth’s gesture, her hand gently placed upon Mary's abdomen—a motif resonating with images of fertility goddesses across ancient cultures. Think of the Venus of Willendorf, her form swollen with promise. This protective, nurturing touch transcends time and space, reappearing in countless depictions of motherhood and divine blessing. Consider how this simple gesture evolves—from ancient fertility rites to Christian iconography. The subconscious yearnings for protection, for continuity, are palpable. Such images tap into primal memories, engaging viewers on a deeply emotional level. The Visitation then becomes more than a biblical scene; it is a cyclical return to the foundational human experiences of hope and renewal.

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