Gebouw van de Koninklijke Yachtvereniging, Rotterdam by Pieter Oosterhuis

Gebouw van de Koninklijke Yachtvereniging, Rotterdam 1859 - 1865

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photography, gelatin-silver-print

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landscape

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photography

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coloured pencil

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ancient-mediterranean

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gelatin-silver-print

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cityscape

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street

Dimensions height 86 mm, width 174 mm

Curator: Here we have a gelatin silver print by Pieter Oosterhuis, created between 1859 and 1865. It's titled "Gebouw van de Koninklijke Yachtvereniging, Rotterdam," depicting the Royal Yacht Club building. Editor: My first impression is one of profound stillness. The muted tones lend a sense of quietude, almost as if the city holds its breath. The symmetrical composition reinforces that serenity, but I notice how the position of the trees on either side disrupts the symmetry just enough to make the image come alive. Curator: Indeed. Oosterhuis was active during a transformative period in Rotterdam's history. Photography allowed for new ways of documenting urban development, providing insight into the evolving architecture and civic spaces of the city. The Yacht Club was more than just a building; it represented the burgeoning wealth and maritime power of Rotterdam at the time. Editor: Structurally, the photograph directs the eye with those repeating rectangular windows leading up to the ornament on the rooftop. It’s a rhythmic pattern that pulls you along the facade of the building and helps reinforce its importance. Also, there's an interplay of light and shadow, subtly defining the architectural details and suggesting a narrative that words can not convey. Curator: And this particular photograph is one of a stereoscopic pair. When viewed through a stereoscope, it would have created a sense of three-dimensionality for the viewer, immersing them in the scene and granting a pseudo-real experience of this space, accessible to wider audiences than physical site visits. Editor: I suppose. But this photograph offers us today more than just documentation of the time; it speaks to enduring aesthetic principles, the golden ratio for instance, as displayed in the organization of space, texture, light and shade, resulting in perfect stillness and beauty. Curator: Ultimately, a reminder of Rotterdam's rich history and the Royal Yacht Club’s role in it. Oosterhuis has offered a window into a past moment now viewed through this very specific intersection of art, documentation, and civic pride. Editor: And regardless of the historical meaning, this is just one beautifully composed image, well designed from a perspective of line, texture, and rhythm.

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