Siddende kvinde med to børn samt portræt i profil i cirkelkomposition 1743 - 1809

This drawing of a seated woman with two children, and a portrait in profile was made by Nicolai Abildgaard. It presents a tender scene, echoing classical antiquity, where the mother-child motif is a powerful symbol. Consider the enduring image of the Madonna and Child, which finds its roots in ancient depictions of Isis with Horus. Here, the woman’s gentle embrace resonates with the same themes of nurturing and protection. Adjacent to this scene is a cherubic figure holding what appears to be an arrow, reminiscent of Cupid, the god of love. This symbol transcends mere romantic love, touching on deeper, primal connections. Such motifs persist through time because they tap into our collective memory, echoing through centuries and cultures. The emotional weight of these symbols, the comfort of a mother’s embrace, the stirring of love, engage us on a subconscious level, making the past ever-present. These symbols are not static but evolve, carrying echoes of past meanings even as they take on new significance.